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Michael Kiwanuka w. Bahamas & Yuna // 18+ Show
- Description:
- Presented by Fine Line, First Avenue & 89.3 The Current
Doors 7:30pm
Music 8:30pm
Tickets $15
On Sale Friday July 13th
Michael Kiwanuka Website
Bahamas Website
YunaWebsite
Few records make such an instant impression as Home Again, the debut album by Michael Kiwanuka. Immersing the listener in a sound that is both modern and at the same time as familiar as the classics, it manages to strike the balance between being contemporary and somehow utterly timeless. “I just wanted to make a record that, when someone puts it on, it takes them to a certain place,” says the 24-year-old north Londoner. “I wanted it to have the lush-sounding instrumentation and feel of older records, to be warm and peaceful and put the listener in this little world, which is rich with vibes and sounds and colours.”
For Kiwanuka, key musical touchstones include Marvin Gaye, Otis Redding, Bob Dylan, Paul Simon, Shuggie Otis, Roberta Flack’s First Take, Bill Withers’ Live At Carnegie Hall and D’Angelo’s modern soul landmark Voodoo. Citing the latter album in particular as Exhibit A in refuting suggestions that his listening tastes are rooted exclusively in the 1970s, Kiwanuka calmly shrugs off any “retro” accusations that might be levelled at his music. “The truth is there was no intention behind any of it,” he states. “There was no intention for my voice to sound old. The songs come out like they do because I like the sound of stuff like that. I didn’t start writing songs to get a record deal. I wrote songs to express myself and they ended up sounding old.” Moreover, given the fact that he was born in 1986, to Kiwanuka’s impressionable young ears, even the music of the past was fresh to him. “To me, those records sounded new,” he says. “Growing up, I didn’t have records at home. I didn’t even know any Beatles albums. For me, it was all completely brand new music, even though it was recorded decades ago.” Though deeply into soul and jazz, he found real inspiration in the cross-pollination of the two styles with folk in the music of Bill Withers. “Bill Withers was very rootsy and earthy,” he points out, “but people branded him as a soul singer. To me, he was a folk artist. So that encouraged me to keep going, ‘cause I didn’t know where I would fit in as a black guy with an acoustic guitar.”
In beginning to perform on the acoustic circuit around London, Kiwanuka quickly attracted interest and made connections, not least with his current manager who in turn garnered the attention of Communion Records, the label that in 2011 released the singer’s first two acclaimed EPs, Tell Me A Tale and I’m Getting Ready. Both of these EPs – as with Home Again – were produced by Paul Butler (The Bees) in his vintage equipment-stuffed basement studio at his house in Ventnor on the Isle Of Wight. Together the pair played almost every instrument to be heard on the album, with Butler’s remarkably intimate, detailed productions – adorned with everything from flute to brass to sitar to aching strings – perfectly matching Kiwanuka’s visions for his songs. On the evidence of the stunning Home Again, of course, Kiwanuka is clearly not a musician who should be wrestling with doubts. It is an album that is set to make the liquid-voiced singer an international name and touch its listeners in the same way as his favourite records inspired Michael Kiwanuka himself. “I’d just like for the songs to mean something in people’s lives,” he concludes. “That for me is what music ultimately is for. All of our favourite records, you can remember where you were when you first heard them. Or they might remind you of a time or someone. My hope is that these songs will move people.”
Tickets can be purchased through Ticketmaster.com or by calling 1-800-745-3000. You can also purchase tickets in person at the Fine Line box office M-F between the hours of 11am and 11pm, First Avenue outlets, or at the Electric Fetus.
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| 9:00am |
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| 11:00am |
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| 12:00pm |
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| 1:00pm |
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| 5:00pm |
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